Tomorrow sees the nationwide release of the movie version of the classic novel Brideshead Revisited.
I am embarrassed to confess that I have never read the book but I am an avowed fan of the acclaimed Granada produced television adaptation originally screened in 1981 (all 11 hours of it!) starring Jeremy Irons.
The centerpiece of the story is of course the complex and loving relationship between Sebastian Flyte, a gay aristocrat, and middle-class Charles Ryder who meet when they come up to Oxford in the 1930s.
In the TV series, Sebastian’s sexuality is never actually acknowledged but the viewer, like the reader, is left in no doubt through not too subtle references and behavior. I’m sure this will be similarly portrayed in the movie.
The most interesting aspect of the film for me will be the depiction of the relationship between Charles and Sebastian and how this is portrayed in a modern interpretation.
The author Evelyn Waugh said:
"Charles’s romantic affection for Sebastian is part due to the glitter of the new world Sebastian represents, part to the protective feeling of a strong towards a weak character, and part a foreshadowing of the love for Julia which is to be the consuming passion of his mature years."
This was written at a time when homosexual feelings were often repressed both by individuals themselves and certainly by the wider society. One could interpret the relationship as homosexual love that was never consummated or accepted by the characters. At the time it may have been dismissed as a close male relationship that can develop at college or often at same-sex boarding schools.
The author may have intended to portray this as a crush or a deep affection Charles had for Sebastian but whether he realized it or not was depicting many homosexual relationships of the era, whether or not they were ever fully acknowledged (or acted upon) by those involved or those around them. This was not after all a brief relationship but one which lasted well beyond their time studying, or mainly drinking champagne, amidst the dreaming spires of Oxford.
It will be fascinating to see whether the movie openly addresses or takes a point of view on the relationship between Charles and Sebastian in this very different age or like the 1980s TV series leaves it up to the viewer to make their own judgment. I gather from the reviews I have read that it will feature a “gay kiss” but it will be interesting to see how the whole dynamic of their interaction is represented on screen.


