Posts Tagged ‘Television’

Welcome to the mainstream

Posted by Guido Schmitz

German TV can be quite frustrating for an LGBT audience. More or less all you get to see are straight characters with very few exceptions once in a while. Sure, there are the dailies with the LGBT characters but for reasons of quality I would rather neglect them at this point.

So it was quite a step forward when in November 2008 the first German dedicated LGBT TV station started airing its program. The station, called TIMM – Television, Internet, Media for Men –claimed “We love Men.” Too bad that, apparently, German men didn’t like TIMM as much as the TV station liked us. In April, the station entered bankruptcy and ever since stopped airing its program over satellite and cable.

So how could this happen after decades of gay German men complaining that mainstream TV did not, or at least not on a regular basis, dedicate to their interests? The station was run as non-pay TV depending more or less solely on commercials. The managers of TIMM did not really have a choice because pay TV is a miserable business in Germany where several investors have gone bankrupt over it. That is quite a difference to the situation of the U.S. TV station here! or Logo. In Germany, a niche audience is not willing to pay for a program which is aimed at their specific needs. But why is that the case?

The debate after the announced bankruptcy offers two views: a gay and a straight one. The gay perception is that the TV station itself is a good idea yet the way it was run was not appealing enough. Hardly any of the shows were actually produced for a German audience. The vast majority of the program was bought from abroad. You may want to argue that LGBT-related issues are somewhat universal. And yes, I totally agree that LGBT stories are universal but as I previously wrote in another post, it is about how you tell the story, about how you reach your audience and respect regional differences. For example, Noah’s Arc surely was an entertaining show, but the plot was simply not close enough to the German audience for anybody to identify with the show and actually keep watching it. I guess Frankfurt and L.A. are separated by more than just 6,000 miles. In contrast, the few shows that were actually produced in and for Germany enjoyed quite positive reception both by critics and the audience.

The straight argument is that the LGBT community does indeed feel comfortable with the program they are offered by the general TV stations. It was written that “we” had finally arrived in the mainstream media with LGBT characters addressing us as an audience. A special niche has become obsolete, and so on. The whole discussion culminated in the finding that LGBT emancipation had come to an end altogether.

In my view, the discussion about the bankruptcy of TIMM shows one point very clearly. While the LGBT community still sees a need for specialized media offerings due to the fact that the mainstream does not offer certain content, the general public considers our struggle of acceptance as over. This is similar to the annual return of the Pride discussion. Do we still really need Pride? While you will find very few members of our community say that Pride has become an anachronism, a large proportion of the general population will tell you that LGBT has made it in the middle of our society and we don’t need to raise awareness for us anymore.

This is a bit of a worrying development to me because it nicely demonstrates that according to the wider public opinion the LGBT community has enough rights already. The general tenor seems to be: “We gave you enough already, so shut up and welcome to the mainstream.” Quite displaced is this point of view, since hate crimes still happen on a weekly basis. Last week, in Berlin a gay man was stabbed in the back for holding hands with his boyfriend. This incident has only been reported by LGBT media. The mainstream media remained silent. Once again: Welcome.

What do you think about specialized media? Do we still need them or are you satisfied with the attention mainstream media pay to our interests?

Tony Pride

Posted by Michael Murphy

Happy Monday, all! Apologies for being MIA on the blog of late– it's been one of those months where vacation took me away from my responsibilities on here. Rest assured, I am back!

The Tony Awards were last night. You know the Tony Awards– the annual theater award show where random presenters with no connection to Broadway (read: this year, some New York Jets player and Raquel Welch) give "Best of" awards to high-profile shows and actors and often overlook some lesser-known, but well-deserving productions. This year's festivities were hosted by Sean Hayes. You know Sean Hayes, of "Will & Grace" and Newsweek fame. He and "Promises, Promises" co-star Kristin Chenoweth had some fun at Newsweek's expense at the beginning of the show– as the photo shows here.

What I love about the Tony Awards is that for three hours, television audiences are exposed to different works of art. While this year spent too much time on Green Day and the cast of "Glee," there was still ample opportunity to soak in some fantastic performances and more importantly, truly heartfelt acceptance speeches by winners. And from what I can observe, the Broadway community is all about acceptance. Several of the winners last night acknowledged their partner, and many of the performers participate each year in the "Broadway Cares" project to help fund HIV research and education. It's certainly the gayest of our award shows, but I love that CBS commits each year to bringing the Tonys to the rest of the world, regardless of ratings. Not everyone can afford a pilgrimage to the Great White Way, but sitting down with your family and watching a performance of "La Cage aux Folles" is the next best thing.

From a marketing perspective, I would have loved to see more of corporate America recognize the majority demographic viewing the show last night and tweak the advertisements to appeal to this specific community. Think about the Super Bowl. Many companies create ad campaigns that incorporate both the game and the viewing audience (remember how Betty White reclaimed her fame this Super Bowl?). How great would it have been last night for advertisers to incorporate the show and the LGBT community in the spots that aired. Granted, there may have been some as I forwarded the first half on DVR, but I hope that we see more LGBT campaigns during the Tony broadcasts in the future.

Speaking of marketing, we're taking our "ButtOut Ohio" project to Columbus Pride this weekend to share the campaign with the LGBT community. I plan on taking some photos at the event and will share my thoughts next week about how companies are using Pride as an opportunity to engage with us.

Have a great week.

(Photo courtesy of Sara Krulwich/The New York Times)

That Newsweek story…

Posted by Michael Murphy

So everyone is talking about the Newsweek story. To describe it in one sentence or less, the writer (gay himself) said that openly gay actors struggle to convincingly play straight characters. He referenced both Sean Hayes performance in the revival of Promises, Promises  and Jonathan Groff from Glee as two examples of not hitting the straight mark. It's fair to say that this article, and the response to it, has been a media explosion.

Let me give my two cents. I saw Promises, Promises last weekend, and I consider myself a Gleek. I was underwhelmed by Promises, Promises,  and my friend who went with me to see it agreed that the major problem was Sean Hayes. It's not about his acting skills, or his credibility, but for my generation, he is iconically known for Jack McFarland. Good or bad, once you put such an indelible stamp on pop culture like Hayes did for almost a decade on mainstream television, it is hard to separate yourself from your character. There were so many moments during the show where Sean slipped into Jack, whether he knew it or not. From head bobbing while dancing to his impeccable delivery of lines, there was so much Jack in him. And I think audiences came to see Jack on stage. So was he convincing as a straight man pining for a woman? No- but it's not because he is gay– it is because he made such an impression playing a gay man and his mannerisms from that character melded into this new performance. Plus the source material, not so great. It's not exactly the most macho role to begin with.

The Jonathan Groff example from Glee is interesting.  I saw Groff's breakout role in Spring Awakening on Broadway, and whether he was out or not at the time, he wasn't on my radar. His performance was so moving as a troubled teen in love that I didn't think twice about his sexuality. Now he is on Glee, and it is only now that I know he is gay. Does that make him less convincing on the show, where he pines for Rachel? No– because the two of them have such established chemistry, and no offense, but the show is about show choirs, where my experience (three years in high school) is that everyone is flamboyantly fabulous, no matter their sexuality.

So maybe the Newsweek writer was't eloquent in the point he was trying to make. But I think the point he is making is valid. Once you come out in Hollywood, it becomes part of who you are moving forward. It is the"talking point" about you. Every interviewer will ask about it, every studio casting director will think twice about it before casting you. The fact is, in my opinion, that there are probably hundreds of actors currently in the medium playing straight while being gay, and they are doing it convincingly. The sad part is that the culture is just not quite there yet to allow someone to come out without suffering professionally. Yes there are positive cases here and there, but there are certainly also cases where the impact is deafening.

Where I struggle the most with the Newsweek story is the tone of the backlash. We come from a community where we are labeled, good or bad. It's one thing for us to disagree with someone, but it's a whole different story for us to be vicious in attacking because of a difference of opinion and to put labels like "homophobic" on someone who is a member of our own community. It saddens me that sometimes, LGBT or straight, we feel that the best way to get our opposing viewpoint across is to scream it. This might come from the 24-hour cable news cycle, full of pundits who challenge each other every night to see who can speak the loudest. And believe me, I understand that our voice has been silenced for so long, and that we are still oppressed in many circumstances. But civility is so fleeting in an age where we can instantly share our opinions to the world.

So what's the lesson in all of this? I do love freedom of speech, for both the opportunity to share your opinion and to react to others. But when the dialogue becomes so weighted in viciousness, it becomes a battle with no winners.

Most people who reacted to the original story did not read the entire piece, instead focusing on the backlash. Read it first, and tell me what you think. Do you agree?

Have a peaceful weekend.

GLAAD for the Glee-ful Single Drag Racers

Posted by Michael Murphy

Happy Monday! Or, I can't believe it's Monday! Spent the weekend on domestic chores as the BF is trapped in Germany due to the volcano. I swear it feels like a really cheesy Lifetime movie– he's trapped over there, and I am left having to mow the lawn. And my swearing while mowing was very similar to a volcanic eruption. Come home soon.

Speaking of things important to me– Glee has its Madonna-centric episode this week, and I could not be more excited! Even Madonna loves the show (about Madonna!). Those kids on Glee must be the hardest working cast in show business, and the accolades keep on coming in. On Saturday night, the show picked up the "Outstanding Comedy Series" award from GLAAD as part of the 21st Annual GLAAD Media Awards in Los Angeles. No surprise here– Glee is one of the most progressive shows in terms of portraying the LGBT community in a positive– and realistic– light, whether that means showing how Kurt deals with being openly gay in high school, or how Rachel is raised by her two dads. Any show-choir themed show has an inherent LGBT story to tell, and I am proud of creator Ryan Murphy, and for GLAAD, for recognizing the invaluable opportunity Tuesday nights at 9PM can provide.

Glee wasn't the only entertainment program recognized on Saturday night. The film A Single Man picked up an award for "Outstanding Film," and RuPaul's Drag Race scored for "Outstanding Reality Program." Both Drew Barrymore and Wanda Sykes also picked up awards for their commitment to our community, and Telemundo walked away with recognition for Spanish-language journalism segment.

GLAAD has really turned these awards into a forum for discussing how important it is for the media and entertainment worlds to accurately portray, and include, the LGBT community in programming and news coverage. While these awards have the glitz and glamour of Hollywood red carpet events, there is an important educational overlay into using media coverage…of media coverage.. to spread GLAAD's mission of promoting and ensuring fair, accurate and inclusive representation of people and events in the media as a means of eliminating homophobia and discrimination based on gender identity and sexual orientation. Thank you GLAAD!

P.S. Super-excited that the mega-LGBT musical, La Cage Aux Follies opened to rave reviews last night on Broadway. This means that we have yet another forum to talk about the importance of owning and respecting the LGBT identity. As the song from the musical goes, "I am what I am, and what I am needs no excuses." Checking out the show in May– so I will let you know how it is!

Have a great week.

(Photo courtesy of 2010 Chris Weeks/WireImage)  

 

Stereotypes and Stigmatisms

Posted by Bryan Blaise

So much has gone on since my last post both personally and professionally — including now seeing the world through eyes that are a quarter of a century old. And recently, on the small and big screens, these eyes have seen portrayals of gay characters that have raised questions — questions and issues I have yet to formulate an answer to.

First, it was the Motorola (client) Super Bowl ad with Megan Fox. Contemplating what a picture of her in the bath tub would do if sent out over social networks led to a series of humorous scenarios, many of which pushed the boundaries in true Super Bowl commercial form. And yet in one scene, a gay couple, clad in bright clothes and hands on their hips, reach out and slap each other.

Catty. Effeminate. Flamboyant. All those adjectives jumped to mind when seeing the ad. Is that the way I wanted my community defined? It perpetrates, in the guise of humor, the concept that being a gay male equals being effeminate. What’s wrong with that? Personally I see nothing wrong with a human being (guy or girl) being defined effeminate. But thanks to our societal history of placing greater value in masculinity, the ad sustains more masculine members of the gay community’s disgust or fear of effeminate characteristics in their fellow gay man or themselves. The same could be said for straight audiences who hold inaccurate opinions of the LGBT community.

And yet, as I started to write about the ad, I begin to flip on Will & Grace for noise in the background — and suddenly stopped. How was Jack’s character on the show any different from the two gay men presented in the ad that were getting me all riled up?

And what about the upcoming movie “Death at a Funeral”? While waiting to catch “Valentine’s Day” this weekend, I watched as the comedy trailer found it funny to expose a deceased father’s closeted homosexuality. The line that hit me was Chris Rock’s shock that his brother was more upset over their father’s being white (don’t know how that works out in the film) than his homosexual affair.

Now discovering any secret of a deceased parent is typically a shock, but the film overlooks the sensitivities and struggles someone must have experienced who felt the need to live a double life. I understand it’s a comedy and the situation is augmented by the deceased father’s lover and his blackmail scheme. Still…

After discussions with my roommate, my straight sounding board, I present these questions about the above media:

  1. Where is the line between comedy and offense? Are the situations above offensive or just humor?
  2. What harm do you see in presenting a stereotype of the LGBT (or any) community?
  3. Should we just be happy with the fact the LGBT individuals are being represented in the media? Or do we have a right to raise issue with the way we’re being portrayed?
  4. Is there a deeper issue here — America’s devaluing of effeminate qualities for masculine qualities?
  5. What can we say or do to let marketers and movie makers know that we want our story told, but  in a way that is an accurate portrayal of a diverse community and doesn’t support inaccurate fears of our lives?

Give us your answers in the comments below.