"It's that time of year, when the world falls in love…every song you hear, seems to say..Sandra Bullock, for the Blind Side."
Ok, I took some liberties with that classic Christmas carol, but this week marked the announcement of the 82nd Annual Academy Awards! Nomination day has always been like Christmas morning for me. I love the anticipation, and I love the forced smiles from those who expected to get a nomination but in turn got a snub from their peers.
Let's break down the nominations for just a moment:
- Best Film: Now I know that Avatar is out of this blue world, and The Hurt Locker was a stunning portrayal of the front lines of the Iraq war, but let's give it to Precious. The movie gripped me from beginning to end, and the performances were so nuanced and emotional. And an added bonus? The film provided an extremely positive portrayal of a lesbian couple. (By the way, did we really need 10 nominations for Best Film?)
- Best Actor: Based on what I have seen, I've got to give it to Jeremy Renner with The Hurt Locker. Saw Crazy Heart over the weekend, and while Jeff Bridges was good, it was a one-note (pun intended) performance. It felt like this year's version of The Wrestler. Kudos to the Academy for recognizing Colin Firth for his portrayal of a tormented man in the 1960s choosing between being open and being quiet. That film is on my must-see list, so I reserve the right to change my vote.
- Best Actress: I'm just going to say it. Sandy B. doesn't deserve it. Sure, she was great. Sure, it was different for her. But these awards are about acting, not just dying your hair blond and changing your accent. For me, this is a toss up between The Divine Ms. M (Meryl Streep) and Gabourey Sidibe in Precious. Saw An Education, and that was kind of a snooze fest.
- Best Director: Part of me wants Kathryn Bigelow to win the Oscar for The Hurt Locker and become the first female director to do so. But the louder part of me wants Lee Daniels to win for Precious, so that he can become the first openly gay African American director to not only get nominated, but win.
- Other categories: Mo'Nique all the way. "Take it All" from Nine please (that was the only good part of that film).
I echo Gay & Lesbian Alliance Against Defamation (GLAAD) President Jarrett Barrios in applauding the Academy this week for recognizing films that use the cinematic storytelling device to shed light on the LGBT community. In a statement this week, Barrios said that “images like the love and commitment between Ms. Rain and her partner in Precious and the isolation felt by George in A Single Man spark conversations that help Americans embrace their gay and transgender friends, family members and neighbors. We need to advocate for more gay-inclusive stories to be shared with mainstream audiences because as more people see these images, they realize that we have the same aspirations, hopes, and deserve the same chances to take care of our loved ones and families.”
The movies are a powerful medium. Through film, we have the opportunity to entertain mainstream audiences while also educating them about our LGBT community, and Hollywood is slowly providing more and more opportunities for LGBT writers, and actors, to share their story. Someday, the world on screen and the world in real life will merge and we can educate through open dialogue, minus the sound effects.
What do you think about this year's nominations? Are you as nervous as I am about Steve Martin and Alec Baldwin hosting together this year?
One more thing– anyone else as confused as I am about Lost this week? Did the writers really have to bring back Juliet again only to kill her AGAIN? My emotions can't handle it. They have 16 episodes left to explain themselves. If it's easier, I am happy to take a meeting with them in Hawaii to discuss.



